Heralds of Valdemar Overview

FoundationWhew! This year had a lot of Valdemar in it. I was a bit more hesitant to say negative things when I started this blog series, and then I became increasingly frustrated with certain things that cropped up in the Valdemar books over and over.

  • Telling instead of showing was the huge one. Narrative summary and dull internal monologue comprised most of each book, which seemed like padding at best, and simply bad or cowardly writing at worst. Single brooding characters are much less interesting and do not carry the plot in the way two or more characters discussing and changing due to actions and discussions do.
  • Her characters’ voices were all quite similar. There wasn’t much to distinguish one from the other, apart from superficial things. Many plots relied on misunderstandings, which are tedious. I’m looking at you, Arrows books.
  • Good and evil are irritatingly simplified.

That being said, these books have strengths. I would recommend them to middle school kids or teenagers, for the most part—sex is glossed over but is treated in a sex-positive way, there are plenty of strong female characters, and I think it’s healthy and cathartic to read about angsty characters when you yourself are angsty, as many teens are. The fantasy elements are often silly, but then that’s part of the charm. Wish fulfillment is necessary in fiction to a certain extent. It gives hope.Pretty cover!

As adult books, they fail simply due to their lack of complexity. That being said, adults can and do enjoy YA all the time (I still read Tamora Pierce, I liked Kristin Cashore’s Graceling books, I’m currently reading Kate Elliott’s Cold Magic and am enjoying it immensely so far). If I were in charge of marketing the Valdemar books I would market them as YA. Furthermore many people I know read the Heralds of Valdemar in early high school. This isn’t meant as a slight; I just think they do teenagers good, but a more refined and/or practiced taste will long for something … more. (Though, in my honest opinion, one Tamora Pierce book probably contains more nuance than the whole Valdemar oeuvre.)

A note on the Collegium Chronicles, since you’ll note I didn’t write about them. There’s a reason for that. I could barely read them. There are things I want to like about them… but for the most part they’re fluffy books full of filler and not much else.

Continue reading


TV Reviews: Avatar Part 2: The Legend of Korra

I didn’t really have high hopes for The Legend of Korra, since it’s not at all my kind of setting. Too modern, a drastic change from the low-tech world of The Last Airbender. However, I had hopes that like its predecessor it would shine in the humour and character development areas.

Starting out, it had great promise! The characters were very interesting—I especially loved the dynamic between Korra and poor put-upon Tenzin. Conflicts were set up: Korra leaves home to learn airbending in cosmopolitan Republic City where nonbenders led by a mysterious leader clamouring for the end of bending. Nonbenders vs benders is an interesting question that was not brought up in The Last Airbender. I was curious to see how it would be addressed. There was a lot of potential set up.

Legend of Korra, however, did not deliver on any of its promises.

Continue reading

TV Reviews: Avatar Part 1: The Last Airbender

First up, I’m always late on the bandwagon. I’ve known about Avatar for years, not just because of the Legend of Korra hype, but I’d seen the first episode and wasn’t especially enthralled. Which confuses me now, because I really like the first episode! Right off the bat, a viewer will see that the writers have comedic timing down perfectly. Also: four winged penguins! I started watching Avatar: The Last Airbender all the way two weeks ago, for the first time, and damn.

Since I’m the last one to a party, you probably already know the TV show (not the movie!) is fantastic. But I’m going to talk about it anyway, because it’s cool, and it will give some context to my Legend of Korra review. That’s Part 2.

The basic premise of Avatar is that there are four nations divided into the classical elements: earth, air, fire, water. Some people in their respective nations can ‘bend’, or manipulate through martial arts, these elements. The Avatar can—and must—learn all four elements to keep balance between the nations. However, a hundred years ago the Avatar vanished—and the Fire Nation attacked, destroying the Air Nomads and covering the world in war.

The show starts when two teenagers from the Southern Water Tribe (an Inuit-inspired culture), Katara, a water bender, and her older brother Sokka, are out fishing. They find a small boy trapped in a block of ice. This boy is Aang, the last airbender, frozen for a hundred years.

Thus, our three heroes decide to go out into the world so that Aang can master water-, earth-, and firebending to defeat Firelord Ozai, all the while being hunted by Zuko, the Firelord’s son, and a whole host of other enemies.

Standard fantasy fare. But it really, really stands out from any TV show I’ve ever seen (which I confess is few, since I’m not a huge fan of TV) and even more interestingly, from many books I’ve read.

On the surface level, the animation is slick and beautiful, the voice-acting is great, but most importantly: all the nations are inspired by predominantly Asian cultures.  (I’m reminded of Laurence Yep’s Dragon of the Lost Sea books, which I adored as a kid and reread all the time.)

The Water Tribes, as I’ve mentioned, are inspired by the Inuit, the Air Nomads seem Tibetan, the Fire Nation and Earth Kingdom remind me of China. It’s very cool and very refreshing to see an American TV show actually used these elements in a way that seems respectful, informative and imaginative at the same time.

I read or watch fantasy specifically for two things: magic/a sense of wonder, and a glimpse at another culture or another aspect of culture. I firmly believe each culture in the world has something profound to say that can teach me—and others—to grow and change, to increase empathy and understanding. The Last Airbender delivers. While the philosophy and customs are watered-down, due to Avatar being a show for kids, it’s still there. There’s a spiritual, holistic feeling to the story that gives it another dimension—literally, in that there’s a spirit world, and also at the meta-storytelling level.

However, all the gloss and Asian culture aside, The Last Airbender would never stand up if it didn’t have likeable, round characters. All the characters are complex.


Continue reading